sleepygeek:

apihtawikosisan:

shaunabrooke:

»>The RCMP are looking for any reason to arrested First Nations; who are trying to take a stand and put a stop to the testing that is going on as we speak!«<
“We’ve made our sacred fire. We’re going to stand our ground here.”
Seismic trucks won’t pass, says Elsipogtog war chief, calls for help from all Nations
BY MILES HOWE
ELSIPOGTOG, NEW BRUNSWICK – A sacred fire, which must burn continuously and be monitored for four days, has been lit by Mi’kmaq peoples from all corners of traditional Mi’kma’ki, who have gathered in the New Brunswick community of Elsipogtog. They, as well as non-Indigenous peoples from the local communities and beyond, have now begun to congregate in a field – with permission given by the owner – adjacent to the junction of highway 126 and highway 116 west.
The gathering, which now comprises about 40 people, is directly in the path of seismic testing trucks – or “thumpers” – that are conducting geological surveying on behalf of SWN Resources Canada. SWN is exploring for shale gas deposits. Indigenous and non-Indigenous peoples worry that the seismic testing will lead to hydraulic fracturing – or fracking – of Kent County, much of which is under exploratory lease to SWN.
Elsipogotg war chief John Levi has noted that the gathering will remain peaceful, but that the seismic testing will not be allowed to continue past the sacred fire.
“We’re not going to let them pass. This is the reason why we’ve set up,” Levi told the Halifax Media Co-op. “We’ve made our sacred fire. We’re going to stand our ground here. This would be the spot here, so we’re asking for support from all non-Native and Native peoples.”

They WANT to stomp our asses, and have been pushing for a confrontation for over a year now. It started with Attawapiskat and has escalated since.
They will happily kill some of us to put us in our place.
This is real.

I know we’re a mild-mannered people, politically, but come on, Canada. We’re meant to be a progressive, partially socialist society. You can make it here as a cishet white dude whose family was here before John A Macdonald, and you can make it as a first generation refugee, so why the hell are our government and our society treating the First Nations people like lepers and cattle and children, irritants whose voices don’t matter and whose very genes are somehow unclean?
What kind of society has universal health care, the most diverse city on the planet, and still systematically propagates adversity and stigma against its oldest and most hard-done-by community? One in which we can’t be bothered to tell the world we care, and so events like this are forgotten. 

^^ WORD
and when people say Canada isn’t racist I just laugh and laugh (and then hang my head)

sleepygeek:

apihtawikosisan:

shaunabrooke:

»>The RCMP are looking for any reason to arrested First Nations; who are trying to take a stand and put a stop to the testing that is going on as we speak!«<

“We’ve made our sacred fire. We’re going to stand our ground here.”

Seismic trucks won’t pass, says Elsipogtog war chief, calls for help from all Nations

BY MILES HOWE

ELSIPOGTOG, NEW BRUNSWICKA sacred fire, which must burn continuously and be monitored for four days, has been lit by Mi’kmaq peoples from all corners of traditional Mi’kma’ki, who have gathered in the New Brunswick community of Elsipogtog. They, as well as non-Indigenous peoples from the local communities and beyond, have now begun to congregate in a field – with permission given by the owner – adjacent to the junction of highway 126 and highway 116 west.

The gathering, which now comprises about 40 people, is directly in the path of seismic testing trucks – or “thumpers” – that are conducting geological surveying on behalf of SWN Resources Canada. SWN is exploring for shale gas deposits. Indigenous and non-Indigenous peoples worry that the seismic testing will lead to hydraulic fracturing – or fracking – of Kent County, much of which is under exploratory lease to SWN.

Elsipogotg war chief John Levi has noted that the gathering will remain peaceful, but that the seismic testing will not be allowed to continue past the sacred fire.

“We’re not going to let them pass. This is the reason why we’ve set up,” Levi told the Halifax Media Co-op. “We’ve made our sacred fire. We’re going to stand our ground here. This would be the spot here, so we’re asking for support from all non-Native and Native peoples.”

They WANT to stomp our asses, and have been pushing for a confrontation for over a year now. It started with Attawapiskat and has escalated since.

They will happily kill some of us to put us in our place.

This is real.

I know we’re a mild-mannered people, politically, but come on, Canada. We’re meant to be a progressive, partially socialist society. You can make it here as a cishet white dude whose family was here before John A Macdonald, and you can make it as a first generation refugee, so why the hell are our government and our society treating the First Nations people like lepers and cattle and children, irritants whose voices don’t matter and whose very genes are somehow unclean?

What kind of society has universal health care, the most diverse city on the planet, and still systematically propagates adversity and stigma against its oldest and most hard-done-by community? One in which we can’t be bothered to tell the world we care, and so events like this are forgotten. 

^^ WORD

and when people say Canada isn’t racist I just laugh and laugh (and then hang my head)

jo-k-bee:

nievie:

arachnis-deathicus:

Gonna quickly throw in an epic quote I found on this article.

KJKJ: Gene Roddenberry, with balls of brass, got up on national tv and said, “hey people, if a geneticist took all the best DNA from planet Earth and put it together to make the best human the world has ever seen - he wouldn’t be a white guy.”

This is why I find the casting of a white actor in this role to be so repugnant. They are not whitewashing an Asian role, they are saying that the best genetic material that the entirety of this world and it’s diversity has to offer….still comes from a white guy.

Reblogging again for that

RIGHT HERE is why whitewashing is so bad in this case.  Into Darkness is basically implying that ‘best human the world has ever seen’ = white guy.

cleoselene:

Important Episodes of Star Trek - 5/? - Far Beyond the Stars - DS9 - 6x13

Douglas:  Here, write me a novella based on this picture.  I’ll print it in next month’s issue.  You do a good job,  you might even get the cover.Benny: What about my story?Douglas: Look.  The way I see it, you can either burn it, or stick it in a drawer for the next 50 years, or however long it takes the human race to become color-blind.Benny: I want people to read it now!Douglas: Fine!  You want me to print it?  Make the captain white!Benny: That’s not what I wrote!Douglas: It’s your call.

Of all of the episodes of Star Trek that have addressed issues of social justice, no episode of any incarnation did so more directly than “Far Beyond the Stars.”  It tackles, head-on, in specific terms, the American history of racism and representation in media, particularly sci-fi.  It addresses the lives of various black people in the 1950s, from laborers to hustlers to athletes to professionals, effectively tearing down the idea that anyone, even those who are professional successes, can fully escape the crushing weight of societal, institutional racism.  It explores the importance of placing people of color front and center in media, as leaders, as heroes, and how truly damaging the idea of whitewashing a character or excluding stories which feature a person of color as the central character can be.  And in an amazing, meta sort of way, the episode stands as a defense of Star Trek as a cultural institution that takes bold steps to move forward in media.  At the end, when Sisko says that maybe he isn’t real, that maybe his vision-sequence alter ego Benny Russell is the real one, and that he and everyone on Deep Space Nine is the actual dream, it’s a moment that almost breaks the fourth wall, because at the end, the lives of viewers fit more into Benny Russell’s world than Benjamin Sisko’s.

Summary:  I won’t get into details here.  The details aren’t important.  Long story short: Sisko gets a detailed vision from the Prophets, in which he is Benny Russell, American science fiction writer in the 1950s, who comes up with an amazing story about a space station called Deep Space Nine, with Captain Benjamin Sisko, a black man.  His coworkers at the sci-fi monthly magazine where he works love the story, but unfortunately, his boss does not.  He rejects the story, telling Benny that he won’t print it unless he makes Sisko white, claiming that readers won’t believe a black man in charge.  Benny refuses, and instead of writing something else as his boss wants, he writes sequels to the “unprintable” story.  A workplace debate after he writes the sequels breaks out, and a compromise is agreed upon: Benny can keep his black captain, as long as the story is revealed to be just a “dream,” not a reality, and the plot twist at the end is that it’s all a fantasy of someone longing for a more hopeful future.  Benny’s boss agrees, but sadly, his boss’s boss does not, and the story is rejected outright, which triggers a breakdown for Benny, who has been struggling recently because of being beaten senseless by the police, and is taken away on a stretcher.  As soon as he gets into the ambulance, the vision ends, and Sisko is left to ponder the meaning of it all.

Throughout the narrative are vivid depictions of the lives of Benny and others in his community, and the constant, persistent racism that hampers their existence.  All of the characters in Benny’s vision are characters from DS9, out of make-up and given similar alter egos.  

From Memory-Alpha:
Of the period in which this episode is set, director Avery Brooks comments “The people we saw in that office each had a very specific identity. I wanted to see who those people were, in order to investigate one of the most oppressive times of the twentieth century. They were living with McCarthyism and the atomic bomb and the Red Scare. I mean, that was a very interesting period.” (Star Trek: Deep Space Nine Companion)
In terms of why Brooks was chosen to direct this episode, Steve Oster explains, “Ira Steven Behr and I discussed the possibility of Avery directing, knowing that he was going to be in every frame of film. We don’t like that combination, because it’s very hard to direct yourself. However, this was a story about racism and prejudice and we felt very strongly that it would be wrong if it came from a bunch of people who didn’t necessarily know about that experience. We knew that it was imperative to the story and imperative to the integrity of television for it to be done right.” (Star Trek: Deep Space Nine Companion)
Of the inherent theme of racism in the episode, Brooks comments, “If we had changed the people’s clothes, this story could be about right now. What’s insidious about racism is that it is unconscious. Even among these very bright and enlightened characters – a group that includes a woman writer who has to use a man’s name to get her work published, and who is married to a brown man with a British accent in 1953 – it’s perfectly reasonable to coexist with someone like Pabst. It’s in the culture, it’s the way people think. So that was the approach we took. I never talked about racism. I just showed how these intelligent people think, and it all came out of them.” (Star Trek: Deep Space Nine Companion)
Armin Shimerman makes a similar comment about the dual existence of racism in the period of the episode and in society of today; “Star Trek at its best, deals with social issues, and though you could say, ‘Well, that was prejudice in the fifties,’ the truth of the matter is, here we are in the twenty-first century, and it’s still there, and that’s what we have to be reminded by, and that’s what that episode does terrifically well.” (Mission Inquiry: Far Beyond the Stars, DS9 Season 6 DVD special features)
This episode is Avery Brooks’ personal favorite, and was his episode of choice for the Star Trek: Fan Collective - Captain’s Log collection. Brooks has also stated, “I’d have to say, it was the most important moment for me in the entire seven years.” (Mission Inquiry: Far Beyond the Stars, DS9 Season 6 DVD special features)
Ronald D. Moore said, “In my humble opinion, I think it’s one of the best episodes in the entire franchise. (And I wish I was the one who wrote it!) Ira &amp; Hans have written a true classic and when this show is long gone, I hope that people will still remember this one.”

cleoselene:

Important Episodes of Star Trek - 5/? - Far Beyond the Stars - DS9 - 6x13

Douglas:  Here, write me a novella based on this picture.  I’ll print it in next month’s issue.  You do a good job,  you might even get the cover.
Benny: What about my story?
Douglas: Look.  The way I see it, you can either burn it, or stick it in a drawer for the next 50 years, or however long it takes the human race to become color-blind.
Benny: I want people to read it now!
Douglas: Fine!  You want me to print it?  Make the captain white!
Benny: That’s not what I wrote!
Douglas: It’s your call.
Of all of the episodes of Star Trek that have addressed issues of social justice, no episode of any incarnation did so more directly than “Far Beyond the Stars.”  It tackles, head-on, in specific terms, the American history of racism and representation in media, particularly sci-fi.  It addresses the lives of various black people in the 1950s, from laborers to hustlers to athletes to professionals, effectively tearing down the idea that anyone, even those who are professional successes, can fully escape the crushing weight of societal, institutional racism.  It explores the importance of placing people of color front and center in media, as leaders, as heroes, and how truly damaging the idea of whitewashing a character or excluding stories which feature a person of color as the central character can be.  And in an amazing, meta sort of way, the episode stands as a defense of Star Trek as a cultural institution that takes bold steps to move forward in media.  At the end, when Sisko says that maybe he isn’t real, that maybe his vision-sequence alter ego Benny Russell is the real one, and that he and everyone on Deep Space Nine is the actual dream, it’s a moment that almost breaks the fourth wall, because at the end, the lives of viewers fit more into Benny Russell’s world than Benjamin Sisko’s.
Summary:  I won’t get into details here.  The details aren’t important.  Long story short: Sisko gets a detailed vision from the Prophets, in which he is Benny Russell, American science fiction writer in the 1950s, who comes up with an amazing story about a space station called Deep Space Nine, with Captain Benjamin Sisko, a black man.  His coworkers at the sci-fi monthly magazine where he works love the story, but unfortunately, his boss does not.  He rejects the story, telling Benny that he won’t print it unless he makes Sisko white, claiming that readers won’t believe a black man in charge.  Benny refuses, and instead of writing something else as his boss wants, he writes sequels to the “unprintable” story.  A workplace debate after he writes the sequels breaks out, and a compromise is agreed upon: Benny can keep his black captain, as long as the story is revealed to be just a “dream,” not a reality, and the plot twist at the end is that it’s all a fantasy of someone longing for a more hopeful future.  Benny’s boss agrees, but sadly, his boss’s boss does not, and the story is rejected outright, which triggers a breakdown for Benny, who has been struggling recently because of being beaten senseless by the police, and is taken away on a stretcher.  As soon as he gets into the ambulance, the vision ends, and Sisko is left to ponder the meaning of it all.
Throughout the narrative are vivid depictions of the lives of Benny and others in his community, and the constant, persistent racism that hampers their existence.  All of the characters in Benny’s vision are characters from DS9, out of make-up and given similar alter egos.  
From Memory-Alpha:
  • Of the period in which this episode is set, director Avery Brooks comments “The people we saw in that office each had a very specific identity. I wanted to see who those people were, in order to investigate one of the most oppressive times of the twentieth century. They were living with McCarthyism and the atomic bomb and the Red Scare. I mean, that was a very interesting period.” (Star Trek: Deep Space Nine Companion)
  • In terms of why Brooks was chosen to direct this episode, Steve Oster explains, “Ira Steven Behr and I discussed the possibility of Avery directing, knowing that he was going to be in every frame of film. We don’t like that combination, because it’s very hard to direct yourself. However, this was a story about racism and prejudice and we felt very strongly that it would be wrong if it came from a bunch of people who didn’t necessarily know about that experience. We knew that it was imperative to the story and imperative to the integrity of television for it to be done right.” (Star Trek: Deep Space Nine Companion)
  • Of the inherent theme of racism in the episode, Brooks comments,If we had changed the people’s clothes, this story could be about right now. What’s insidious about racism is that it is unconscious. Even among these very bright and enlightened characters – a group that includes a woman writer who has to use a man’s name to get her work published, and who is married to a brown man with a British accent in 1953 – it’s perfectly reasonable to coexist with someone like Pabst. It’s in the culture, it’s the way people think. So that was the approach we took. I never talked about racism. I just showed how these intelligent people think, and it all came out of them.” (Star Trek: Deep Space Nine Companion)
  • Armin Shimerman makes a similar comment about the dual existence of racism in the period of the episode and in society of today; “Star Trek at its best, deals with social issues, and though you could say, ‘Well, that was prejudice in the fifties,’ the truth of the matter is, here we are in the twenty-first century, and it’s still there, and that’s what we have to be reminded by, and that’s what that episode does terrifically well.” (Mission Inquiry: Far Beyond the StarsDS9 Season 6 DVD special features)
  • This episode is Avery Brooks’ personal favorite, and was his episode of choice for the Star Trek: Fan Collective - Captain’s Log collection. Brooks has also stated, “I’d have to say, it was the most important moment for me in the entire seven years.” (Mission Inquiry: Far Beyond the StarsDS9 Season 6 DVD special features)
  • Ronald D. Moore said, In my humble opinion, I think it’s one of the best episodes in the entire franchise. (And I wish I was the one who wrote it!) Ira & Hans have written a true classic and when this show is long gone, I hope that people will still remember this one.
stfuconservatives:

sulitati:

I know I made a post about this a while ago, but I’m going to make it again since we’re getting into the hottest time of the year.
If you’re out in the Sonoran Desert in AZ and you see any of these [bottles with insults], please pick them up and throw them away. Vigilante groups are leaving intentionally empty gallon jugs in popular crossing points and that is the last thing that somebody needs to see as they’re trying to cross.
If you can, carry clean and full jugs with you and leave them where you see these. Gatorade or Electrolit are also really good for re-hydration.
Contact Humane Borders if you meet anyone in need of medical attention.

Signal boosting.

stfuconservatives:

sulitati:

I know I made a post about this a while ago, but I’m going to make it again since we’re getting into the hottest time of the year.

If you’re out in the Sonoran Desert in AZ and you see any of these [bottles with insults], please pick them up and throw them away. Vigilante groups are leaving intentionally empty gallon jugs in popular crossing points and that is the last thing that somebody needs to see as they’re trying to cross.

If you can, carry clean and full jugs with you and leave them where you see these. Gatorade or Electrolit are also really good for re-hydration.

Contact Humane Borders if you meet anyone in need of medical attention.

Signal boosting.

therothwoman:

roboluvsunicorn:

fearfullymade-locs:


thearcanetheory:


gdfalksen:


Chiune Sugihara. This man saved 6000 Jews. He was a Japanese diplomat in Lithuania. When the Nazis began rounding up Jews, Sugihara risked his life to start issuing unlawful travel visas to Jews. He hand-wrote them 18 hrs a day. The day his consulate closed and he had to evacuate, witnesses claim he was STILL writing visas and throwing from the train as he pulled away. He saved 6000 lives. The world didn’t know what he’d done until Israel honored him in 1985, the year before he died.


I know people whose family was saved because of the heroism of this one man.


Wow



A Conspiracy of Kindess - documentary from the History Channel about Chiune Sugihara and the others that made it possible for thousands to escape Lithuania (uploaded on youtube)
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6


We read a story about him way back in elementary school.

therothwoman:

roboluvsunicorn:

fearfullymade-locs:

thearcanetheory:

gdfalksen:

Chiune Sugihara. This man saved 6000 Jews. He was a Japanese diplomat in Lithuania. When the Nazis began rounding up Jews, Sugihara risked his life to start issuing unlawful travel visas to Jews. He hand-wrote them 18 hrs a day. The day his consulate closed and he had to evacuate, witnesses claim he was STILL writing visas and throwing from the train as he pulled away. He saved 6000 lives. The world didn’t know what he’d done until Israel honored him in 1985, the year before he died.

I know people whose family was saved because of the heroism of this one man.

Wow

A Conspiracy of Kindess - documentary from the History Channel about Chiune Sugihara and the others that made it possible for thousands to escape Lithuania (uploaded on youtube)

Part 1Part 2Part 3 | Part 4 | Part 5 | Part 6

We read a story about him way back in elementary school.

#1044

thisiswhiteprivilege:

White privilege is the movie ” The Impossible” being mainly about a white family when the disaster happened in Thailand, and the family that the movie is based on is ACTUALLY Spanish family. They had TWO options of POC but chose white.

http://danielle-and-life.tumblr.com/ 

"Just because you have privilege does not automatically make you a bad person, but denying it and actively harming others through your words and actions might. Being an intersectional feminist can be really easy once you consider that we are not all simply just social activists. We all come from different backgrounds. We come from all around the world, have had different experiences, and have different identities. Not everybody is concerned about contraceptives; some social activists are worried about that their sexual orientation or gender will become illegal and ultimately fatal; others that their race and ethnicity will automatically set them back in life statistically."

Race is a feminist issue; Shavon L. McKinstry 

Shavon did such an amazing job on this

(via crystalsavestheday)

emptyblueprints:

Above: Chimamanda Ngozi Adichie at the Commonwealth Lecture 2012. “Connecting Cultures”

“I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel.I told him that I had recently read a novel called American Psycho, and that it was a shame that young Americans were serial murderers.” 

- Chimamanda Ngozi Adichie, Nigerian novelist, editor, and lecturer and winner of the 2007 Orange Prize for Fiction for Half of a Yellow Sun

emptyblueprints:

Above: Chimamanda Ngozi Adichie at the Commonwealth Lecture 2012. “Connecting Cultures”

“I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel.

I told him that I had recently read a novel called American Psycho, and that it was a shame that young Americans were serial murderers.”

- Chimamanda Ngozi Adichie, Nigerian novelist, editor, and lecturer and winner of the 2007 Orange Prize for Fiction for Half of a Yellow Sun

nilamarthiel:

aaaa this episode ;~~~;

nom-chompsky:

downlo:


sheilastansbury:


(via The shocking - and forgotten - toll of missing black women across the U.S. | Mail Online)


This pie chart from the article, holy shit:



It’s gotten to the point where other countries (the Daily Mail, even) are reporting on how the US just doesn’t seem to care about the staggering number of missing Black women. I don’t know how someone could read this article and not see that we have a deeply rooted, institutional infection of racism in this country. 
As always with the Daily Mail, avoid the comments. 

nom-chompsky:

downlo:

It’s gotten to the point where other countries (the Daily Mail, even) are reporting on how the US just doesn’t seem to care about the staggering number of missing Black women. I don’t know how someone could read this article and not see that we have a deeply rooted, institutional infection of racism in this country. 

As always with the Daily Mail, avoid the comments. 

IT’S TIME TO FREE ROSA PARKS FROM THE BUS

radioactivesoup:

educationforliberation:

Opinion: It’s time to free Rosa Parks from the bus

Editor’s note: Danielle McGuire is the author of “At the Dark End of the Street: Black Women, Rape and Resistance-a New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power.” She is an Assistant Professor in the History Department at Wayne State University, and a Distinguished Lecturer for the Organization of American Historians. She lives with her husband and two children in metro Detroit.

By Danielle McGuire, Special to CNN

(CNN) - In 2011, Rosa Parks was in the news, six years after her death. An excerpt from a breathtaking essay she wrote in the 1950s about a “near rape” by a white man in Alabama was released to the public.  The handwritten narrative detailed Parks’ steely resistance to a white man, “Mr. Charlie,” who attempted to assault her in 1931 while she was working as a domestic for a white family.

It was late evening when “Mr. Charlie” pushed his way into the house and tried to have sex with her.  Having grown up in the segregated South, she knew all too well the special vulnerabilities black women faced. She recalled, for example, how her great-grandmother, a slave, had been “mistreated and abused” by her white master.

Despite her fear, she refused to let the same thing happen to her. “I knew that no matter what happened,” she wrote, “I would never yield to this white man’s bestiality.” “I was ready to die,” she said, “but give my consent, never.  Never, never.” Parks was absolutely defiant: “If he wanted to kill me and rape a dead body,” she said, “he was welcome, but he would have to kill me first.”

Does that sound like the Rosa Parks we know?

Some of the guardians of Parks’ legacy have said it is not, and insist the essay was fiction. But by dismissing the writings as fiction, it retains the popular image of Rosa Parks as a simple seamstress whose singular and spontaneous act launched the civil rights movement that brought down the walls of segregation.

This popular presentation of Parks as a quiet but courageous woman, whose humble righteousness shamed America into doing what was right has become a mythic fable present in nearly every high school history textbook, museum exhibit, and memorial.

She has been imprisoned by this tale, frozen in time as a silent and saintly icon whose only real action was to stay seated so that, in the words of her many eulogists, “we could all stand up.”

This overly simplistic story makes it impossible to imagine her essay about Mr. Charlie as anything but fiction.

But what if we knew more about the real Rosa Parks—a militant race woman and sharp detective whose career as a human rights activist spanned seven decades?

It’s time to free Rosa Parks from the bus.

Rosa Parks had a history of being defiant, and her fierce response to Mr. Charlie in the essay echoes her lifelong history of resistance to white supremacy. She learned about racial pride and self-defense at her grandfather’s knee in the 1910s.

Sylvester Edwards was a fan of the Jamaican-born black nationalist, Marcus Garvey, and delighted young Rosa with stories of Garvey’s greatness.  She was especially proud of her grandfather’s willingness to defend himself and his family from the daily terror of the Ku Klux Klan in Pine Level, Alabama.

“Whatever happened,” she said, “I wanted to see it … I wanted to see him shoot that gun. I wasn’t going to be caught asleep.” This spirit of defense and defiance, she said later, “had been passed down almost in our genes’ that a proud African-American can not accept “bad treatment from anybody.”

In the 1930s, Rosa Parks joined her husband Raymond and others in secret meetings to defend the Scottsboro boys—nine young African-American men accused of raping two white women in Alabama in 1931. In the 1940s, they hosted Voter League meetings, where they encouraged neighbors to register even though it was a dangerous task. In 1943, she joined the Montgomery NAACP and was elected branch secretary. The job required Parks to investigate and document acts of racist and sexist brutality.

It was in this context, in 1944, that Rosa Parks investigated the brutal gang-rape of Recy Taylor, a black woman from Abbeville, Alabama.

Parks took Taylor’s testimony back to Montgomery, where she and other activists organized the “Committee for Equal Justice for Mrs. Recy Taylor.” They launched what the Chicago Defender called the “strongest campaign for equal justice to be seen in a decade.” In 1948, she gave a fiery speech at the state NAACP convention criticizing President Harry Truman’s civil rights initiatives. “No one should feel proud,” she said, “when Negroes every day are being molested.”

Foot fatigue played no role when she refused to relinquish her seat on December 1, 1955. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around. I had decided that I would have to know once and for all what rights I had as a human being and a citizen, even in Montgomery, Alabama.”

Constant death threats forced her to leave Alabama in 1957. When she arrived in Detroit she continued working as an activist. Throughout the late 1960s and early 1970s, she worked to secure “Black Power,” fought for open housing and against police brutality, railed against the war in Vietnam, and campaigned for George McGovern. She was an ardent fan of Malcolm X and Robert F. Williams, a militant NAACP leader from North Carolina who advocated “armed self-reliance.” She admired Williams so much that she delivered the eulogy at his funeral in 1996.

Given Parks’ history, her defiance of “Mr. Charlie” in 1931 makes perfect sense and fits within a larger context of resistance to the inhumanity of racism and sexism. Instead of a tired seamstress who tiptoed into history, Rosa Parks was a woman who marched proudly with strength, conviction, and purpose.

It is this Rosa Parks that we ought to celebrate and honor. Her history as an active citizen engaged in the most pressing issues of her time - especially racial and sexual violence –can teach us how to do the same in ours.

tw: rape

theteratophile:

jalwhite:

fracturedrefuge:

whatgodzillasaidtogod:

talldarkbishoujo:

wretchedoftheearth:

I’ve never seen a GIF of this.

I was just reading about this during a wiki binge on Olympics incidents and did a little research on it. I never knew how deep the message was that Smith and Carlos were trying to send. Just about everything they wore and how they wore it had symbolism attached to it. (unzipped tracksuits for solidarity with blue collar workers, necklace of beads for lynching victims, etc) Calling it a “black power salute” is really reductive and it’s a shame (and predictable) that if it’s taught at all, that’s what it’s boiled down to.
Another thing I didn’t know: the Australian guy who came in second wore a patch for solidarity with them, he was protesting racist Australian immigration policies. When he passed away, Smith and Carlos were pallbearers at his funeral.

Don’t know what this is referring to? Here you go.

This is really powerful.

Wow, I had no idea about the solidarity patch.
This is still so powerful to watch.

(fyi Australian guy’s name is Peter Norman, he was banned from competing internationally for Australia after this, because our government can be a real sack of dicks sometimes)

theteratophile:

jalwhite:

fracturedrefuge:

whatgodzillasaidtogod:

talldarkbishoujo:

wretchedoftheearth:

I’ve never seen a GIF of this.

I was just reading about this during a wiki binge on Olympics incidents and did a little research on it. I never knew how deep the message was that Smith and Carlos were trying to send. Just about everything they wore and how they wore it had symbolism attached to it. (unzipped tracksuits for solidarity with blue collar workers, necklace of beads for lynching victims, etc) Calling it a “black power salute” is really reductive and it’s a shame (and predictable) that if it’s taught at all, that’s what it’s boiled down to.

Another thing I didn’t know: the Australian guy who came in second wore a patch for solidarity with them, he was protesting racist Australian immigration policies. When he passed away, Smith and Carlos were pallbearers at his funeral.

Don’t know what this is referring to? Here you go.

This is really powerful.

Wow, I had no idea about the solidarity patch.

This is still so powerful to watch.

(fyi Australian guy’s name is Peter Norman, he was banned from competing internationally for Australia after this, because our government can be a real sack of dicks sometimes)

interesting-fact:

Claudette Colvin resisted bus segregation nine months before Rosa Parks, and it is her case that went to the Supreme Court — only for her to be swept under the rug by NAACP leaders since she was a pregnant teenager. - http://www.npr.org/templates/story/story.php?storyId=101719889
—
Interesting Facts - Like Us on Facebook!

interesting-fact:

Claudette Colvin resisted bus segregation nine months before Rosa Parks, and it is her case that went to the Supreme Court — only for her to be swept under the rug by NAACP leaders since she was a pregnant teenager. - http://www.npr.org/templates/story/story.php?storyId=101719889

Interesting Facts - Like Us on Facebook!